I had begun to see a new map of the world, one that was frightening in its simplicity, suffocating in its implications. We were always playing on the white man’s court, Ray had told me, by the white man’s rules. Whatever he decided to do, it was his decision to make, not yours, and because of that fundamental power he held over you, because it preceded and would outlast his individual motives and inclinations, any distinction between good and bad whites held negligible meaning.

In fact, you couldn’t even be sure that everything you had assumed to be an expression of your black, unfettered self – the humour, the song, the behind-the-back pass – had been freely chosen by you. At best, these things were a refuge; at worst, a trap.

Following this maddening logic, the only thing you could choose as your own was withdrawal into a smaller and smaller coil of rage, until being black meant only the knowledge of your own powerlessness, of your own defeat. And the final irony: should you refuse this defeat and lash out at your captors, they would have a name for that, too, a name that could cage you just as good. Paranoid. Militant. Violent. Nigger.

- Barack Obama (from "Dreams From My Father")

Thomas Jefferson Johnson: Terry, tell me something. With all this money coming in from both sides, how does anything ever get done?
Terry Corrigan: It doesn’t. That’s the genius of the system.

"The Distinguished Gentleman "